Anna Kin is an Almaty-based, research-driven artist, currently working in the fields of new media, performance and socially engaging arts. Kin's interests include queer and feminist movements, ecology and the post-colonial linguistics shift.





CV



 



 ღ* 

 

Research-driven project. Radical proposals for worlds in
transition. Language enthusiasm. Re-inventing future.


New Media. Sonic Art.


Almaty-based artist Anna Kin’s latest video art project "ღ" presents the state of different ethno-linguistic groups following imperial collapse and political transition. For this artwork, people from Eastern Europe, the Caucasus, and Central Asia are asked to recite their alphabets. By doing so, Kin aims to showcase languages that have suffered forced assimilation by their former political regimes. Now, after the collapse of the Soviet Union, these languages are either rejuvenating or fading. "ღ" is an invitation to explore individuality, diversity, and the power of language. The project is a work in progress, and Kin plans to keep extending this video art collection as a lifelong project.

“As an artist who employs language, I’ve come to realize how my relationship with it has shifted. Language is both a weapon and a healer—it can be used to enforce agonizing hatred at the state level, or it can poignantly place a therapeutic conversation and a prayer. I see brotes as a form of prayer—one that continues through art, holding onto something beyond rational”.



*Anna Kin’s project is called “ღ”, which takes its title from the Georgian letter ghan whose form playfully echoes the heart symbol, poignantly places a conversation about anticolonial language politics in dialogue with affect. Her work asks not only what languages sound like, but how they animate our sensuous and emotional experiences of the world, that is, how they articulate our lived attachments to political and social worlds in transition. In her film we see not only a crucial effort to catalog the sonic and gestural worlds of languages in crisis and transition, but an artwork that challenges how we think about our affective and somatic embodiment of language more broadly”. – Leah Feldman, project’s supervisor.



ALPHABETS:


Nogai and Serbian, Albanian (video)

Tifinagh and Ukrainian (video)

Duration: 5min 17 sec






Farsi, Lezgi, Mari (video)

Albanian (Kosovo), Balcar and Abeceda (video)

Duration: 5min 43 sec






North Macedonian, Lak, Azerbaijani (video)

Kartvelian and Turkish (video)

Duration: 5min 25 sec







Lak language history of replacement by Ruslan Magachuev (video)

Tatar language history of replacement by Ilmurat Vafin (video)

Duration: 20min 53 sec




Total installation,
Hotel Continental – Art Space in Exile presents “ღ” (read: ghani), an artwork by Kazakhstani artist Anna Kin, exploring anticolonial language politics through sound, gesture, and suspended letterforms, 2025 Sep, Berlin 


 
Medium: multi-channel video installation, spatial sound, suspended laser-cut letterforms, participatory microphone.






Solo exhibition.
Multi-channel video & sound installation, special commission for ARTBAT festival, Supported by Eurasian Cultural Alliance, Chevron and Goethe Institut in Kasachstan. 28 Sep-10 Oct 2023 in Egin Space, Almaty



Multi-channel videos, spatial sound, suspended laser-cut letterforms, darkened space.






   

Group show KUZEY: Displaced Identity, Exhibition of contemporary art about the peoples of Kazakhstan.



Extracts of the artwork, screen, spatial sound.









Live performance of the sound art project, segment of the extended artwork “ღ”. Berlin art book fair, organized by Station of Commons, Miss Read x lumbung radio Prefair Program 17-21 September 2023 at Gerichtstrasse 45, Berlin.


For this sound experiment I blended phonemes from collected alphabets: albanian, turkish, kartvelian, and azerbaijani and mixed them with acousmatic field recordings of both urban and rural areas.




PRESS:



LCCA Summer School catalogue—Language and its Social and Political Contexts, Valmiera (LV), 2024 Aug

Syg.ma — The (Post-)Colonial Alphabet, 2025 Dec

Vlast.kzThe Languages of (Post-)Coloniality, 2025 Oct

Arts of the Working Class, 2025 Sep

Language and its Social and Political Contexts, contributing artist and researcher, Valmiera (LV), 2024 Aug

group show KUZEY: Displaced Identity, Exhibition of contemporary art about the peoples of KZ, 2023 Nov

"ღ" Solo Exhibition in terms of ARTBAT Festival in Almaty (KZ), 2023 Oct

The Steppe Awards—Artist of the Year nominee, Almaty (KZ) 2023 Oct

x3 Podcast episode Sprache und Kunstaktivismus, OSTOST Studio, Berlin (DE) 2023 Sep











OpenSourcingLove

collaborative crowdsource project created together w/Aigerim Tumenbay. It’s idea based on the concept of cognitive bias. By definition: “a systematic error in thinking that occurs when people are processing information. Frequent result of one’s brain’s attepmt to simplify information processing.”


Background story: Last summer, me and my friend started simultaneously noticing lots of heart shapes everywhere we went. Upon sharing them on social media, we began to receive more pictures from friends and strangers even, so we created a profile on are.na,and lots of people all around the world have contributed improvements to its design and functionality. Our worldwide #opensourcinglove movement, also known as #osl can be followed on instagram




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Waves: Radio as Collective Imagination


offline publication, mentioned as an Open Sourcing Love artist collective founder, contributor. 2024 Nov, Berlin, Germany




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OSL zine


Published with a support of British Council, presented in the frame of Styq decentralised city festival. 19 June 2022, Almaty





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Love and Solidarity Weekend

 - a cycle of events, where we suggested letter writing practice as a form of expressing solidarity and support. The project employs a letter-writing format and the artifact of a letter as a tool for reflection and a symbol of self-love. We believe that writing love letters is an inspiring action capable of motivating people to engage in positive change, especially amidst the challenging times we are experiencing worldwide. We consider it a powerful means to raise awareness about society’s issues and challenges. Through sharing personal stories, insights, and perspectives in these letters, we aspire to document significant shifts in our shared comprehension of the world, raise awareness, and connect with the vibrant energy of individuals contributing to the change toward a more conscious generation.


Our love-solidarity letter writing and recording session, featuring postcard cover images of Open Sourcing Love artworks, took place at the Goethe Institut in Kazakhstan, continued during the Missread Art Book Pre-Fair program in Berlin and concluded at the Neue Nachbarschaft Moabit center, where letters from our workshop were handed to kids from Ukrainian at-risk families.




Open Sourcing Love – Love and Solidarity Workshop

Contributors: Open Sourcing Love artist collective, There There
Event: Missread Art Book Fair, Miss Read x lumbung radio Prefair Program
Organized by Station of Commons, Missread,
HKW
Dates: 17-21 September 2023
Venue: Gerichtstrasse 45, Berlin
Link to the episode

At this event we suggested love letter writing practices as a form of healing, after we invited participants to recite their letters for a live stream at lumbung radio, here you can listen to some extracts.

We believe that letters written during turbulent times can become valuable historical documents. They provide a personal perspective on events, emotions, and experiences that might not be captured in official records. These letters can serve as primary sources for future generations, helping them understand the impact of these times on individuals and communities. Love & Solidarity Workshop is an emotional journey created to build up a connection with the community where love and solidarity reign.







OpenSourcingLove – Love and Solidarity Workshop hosted by Open Sourcing Love artist collective with the support of the Goethe Institut in Kasachstan, at the Neue Nachbarschaft Moabit center, Berlin
23 Sep 2023





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Metamorphosis, 2022

Video loop, 1 minute 17 seconds. (Open Sourcing Love)


edit: Aigerim Tumenbay
sound art: Anna Kin
The artwork were presented on 9th of October 2022 in Gallery 263, Cambridge, MA

Shapeshifting pop-up group show & joint performance piece curated by Maya Rubio & Gabi Abrao







Music
Video sketches
A pause.
Why a pause?

Meditative computer music produced with experimental method, both analog and electronic eqiupments. I used to collect a lot of different noises: bowling egg, der Kühlschrank, sound of the rainy forest, rivers, wooden sticks and forbidden percussion instrument. I also experimented with the vocal, and recorded it in the bathroom to shape a volume sound. The layout of the bathroom has a longer reverb and makes the voice more dreamy.
A pause is a symbol of latency, it is a confrontation with high-efficiency.
Delight of the latency is that it preserves the dignity of the unspoken words, unshown gestures, undone actions.The exhaustion of all available human resources occurs because several social order denies the value of latency, the value of a potentiality that remains presently unactualized, but preventively collected. 






The Love of the Things ✦︎

 

(live performance documentation) 9:37, feb 2026, Almaty, Kazakhstan



This activation investigates bodily experience under conditions of neutrality, drawing on somatic practices and movement research. While performers appear in conventionally gendered visual codes: an oversized tie on him and an oversized floor-length bridal veil on her — the performance presents gender as a choreographed form rather than a fixed identity. Through what appears as a non-binary pair, refusal of heteronormative structures is symbolized.

In the final act, the idea of fluidity extends beyond gender and the human-centered perspective. The performance concludes in silence with a mundane action: dismantling a DJ setup. Performed as if the objects — cables, USB driver, headphones and amplifiers — were alive and capable of sound, this act animates the non-human, proposing an expanded field of coexistence decentralizing human experience as ultimate, and gently shifts love away from human-to-human relations toward human–object coexistence.



ŞU ŞAŞU—the association and series of events dedicated to sonic arts, light and performance.
performers: Anna Kin and Arys Assem
venue: Kerege.ca






Die Abenteuer des Baron Münchausen–

The dreamer's mind is free from constraints, depict resistance powerless against it. The character of Baron Münchausen – always recalls the image of my father. This work is my experiment with the soviet film adaptation, layered on the footage of my dad I took before and after he got a brain stroke. I re-mastered a sound and made a video row using a kaleidoscope and a different scenes of the film.



Link to the full video: https://vimeo.com/668867326